Mr.D's, highlighted a piano bar featuring Ceil Clayton where many of the Gaslight musicians would come and sing along. The Natchez Queen was decorated to resemble a riverboat with live ragtime music inside. The Roaring Twenties was a speakeasy themed bar that included a stage show, mock raids, and staged gangster fights. The Opera House had a façade covered in croquet balls and was a venue for Dixieland jazz. These businesses provided an array of unique entertainment that combined elements of the past and present. At its height, Gaslight Square was home to approximately fifty businesses, including taverns, cabarets, restaurants, sidewalk cafes, and antique shops. These resourceful decorations gave Gaslight Square a youthful, eclectic feel that attracted young beatniks and wealthy customers alike. Louis to salvage unique items such as church pews, chandeliers, recycled stained glass, and marble bathtubs. Early business owners in Gaslight Square raided recently demolished property in downtown St.

Another saloon, the Golden Eagle, soon opened, and proprietor Jay Landesman relocated his extremely popular cabaret theatre, the Crystal Palace, to the area as well. īrothers Dick and Paul Mutrux are considered by many to be the pioneers of Gaslight Square, being proprietors of one of the first saloons in the area, the Gaslight.

It was the home to many clubs and restaurants, and entertainment venues. The district was popular for music, poetry, comedy, formal and informal dining, and dancing. The square occupies the area surrounding Olive and Boyle streets in the Central West End. Gaslight Square quickly became a thriving entertainment district that could be compared somewhat to the Delmar Loop area of St. The district was known for its gas lit street lamps and ornate Victorian style architecture, reflective of the 1800s and the riverboat era around the turn of the century. Gaslight Square was the name given to the entertainment district built in the mid-1950s.

Gaslight square apartments